Graham Vivian Sutherland (24 August 1903 – 17 February 1980) was an English artist who is notable for his work in glass, fabrics, prints and portraits. Etching, 51/16 x 73/16 (13.5 x 18.3) on paper 7½ x 10¼ (19 x 26). In December of the same year Sutherland visited a new area of Wales that neither he nor Kathleen had previously explored. Graham Sutherland, who was already a close friend, was invited to become such an artist and in fact, due to his and Kathleen’s worsening economic situation, was persuaded to sub-let their house in Trottiscliffe, Kent and move in with the Clarks at Upton House, Gloucestershire in 1939. London, Tate Gallery, Graham Sutherland, May - July 1982, no. 'The British Art of the Twentieth Century' paintings by Francis Bacon, Roger Hilton and Graham Sutherland. The greater part of the survey is devoted to his mysterious nature paintings. Inscribed on the plate ‘GRAHAM SUTHERLAND MCMXXV +’ t.r. Graham Vivian SutherlandOM(24 August 1903 – 17 February 1980) was an English artist who is notable for his work in glass, fabrics, prints and portraits. Here he employed official war artists to record the conflict at home and abroad to raise morale and promote Britain’s image overseas. Inside of front cover: Two small sketches of girls' heads, the upper one wearing a hat, Sketchbook 2. Sketches of a fishing net and a running figure, Sketchbook 1. Order. | Tate Images. Special Notice. Hilly landscape with a small, apparently ruined hut or barn in the centre and the profile of a head on the left, Sketchbook 1. Licensing images through us supports Tate. zahlr., tls. 269 works are discussed and annotated. and in the margins ‘Final State’ b.l. Februar 1980 ebenda) war ein britischer Maler. 71. See the photos. u. Sketchbook 2. The primordial landscape is made current through Sutherland’s intimate relationship with nature. 74: this exhibition travelled to Darmstadt, Mathildenhöhe, August - September 1982. Generally in good condition. The rich flaming oranges and blood reds wrestle with the deep claustrophobic darkness of the night. Sir Colin Anderson joined the family shipping firm Anderson, Green & Co in 1935 and became responsible for creating a more modern aesthetic in the ship’s interiors, most notably in the flagship of the Orient Line, Orion. The left bank as we see it is all dark – an impenetrable damp green gloom of woods which run down to the edge of low brackish moss-covered cliffs – its all dark, save where the mossy lanes which dives down to the opening, admit the sun, hinged as it were, to the top of the trees, from where its rays, precipitating new colours, turn and red cliffs of the right hand bank to tones of fire. Generally in good condition. The series culminated in this work, whose simplified forms and detailed technique recall Palmer. ‘Pastoral’, Graham Sutherland OM, 1930 | Tate. Small drawing, possibly of a root form, Sketchbook 1. Burger. Graham Sutherland, Mathildenhöhe, Darmstadt, Aug.-Sept. 1982 (230, repr. farb. In 1955 Graham Sutherland bought Villa Tempe a Païa in Menton, France, a modernist home designed and built by the Irish architect Eileen Gray in 1934. Although Sutherland didn’t execute any commissions for the Orient Line, Sir Colin supported him throughout the 1930s and 1940s for which he was always grateful, writing 'I do thank you for being literally the only one of my earliest supporters who follows what I am trying to do as I try to do it, naturally, and without slight prompting on my part' (G, Sutherland, quoted in R. Berthoud, Graham Sutherland A Biography, London, 1982, p. 119). The Scales, Sutherland, Graham, OM, 1961-2, Oil paint on canvas. Artwork page for ‘Black Landscape’, Graham Sutherland OM, 1939–40 on display at Tate St Ives. Images of Graham Sutherland from Tate Images. 25. Artist's Resale Right ("Droit de Suite"). Graham Vivian Sutherland (* 24. Seine Malerei zeichnete sich durch abstrakt-surrealistische Elemente aus. Artwork page for ‘Pastoral’, Graham Sutherland OM, 1930 During the 1920s Sutherland produced a series of prints and drawings directly inspired by the example of Samuel Palmer. No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. In 1965 he was appointed chairman of the Arts Council and made a life peer. Some little creases. Er hat zahlreiche expressionistische Gemälde gefertigt. Black Landscape, Sutherland, Graham, OM, 1939-40, Oil paint and sand on canvas. 1.5M ratings 277k ratings See, that’s what the app is perfect for. Art Boxing by Sir David Low in the Evening Standard, 1955. Sketches of a crouching man and a swan, Sketchbook 1. Pending requests. Sign out. File:Devastation, 1941, East End, Burnt Paper Warehouse by Graham Sutherland (Tate N05737).jpg From Wikipedia, the free encyclopedia Jump to navigation Jump to search Graham Sutherland, Tate Gallery, London 1982 (essay by Ronald Alley) Graham Suitherland Correspondences, The Graham and Kathleen Sutherland Foundation, 1982. While studying at Trinity College he became friends with Sir Kenneth Clark who introduced him to many of the emerging artists at that time, many of whom he subsequently commissioned to produce work for Orient Line ships between 1935 and 1960. Both the title and the ominous twilight effect suggest imminent violence. The form and scale of the rocks here, and the minutiae on the them, is very similar. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. Painted during the period known as the 'phoney war', the present work has a sense of the calm before the storm, the impending evil just beyond the horizon, beckoned in by the rising dawn. Graham Sutherland. This Welsh scene reflects the artist's anxiety at the threat of war; it was painted during the ‘phoney war’ between 1939 and 1940. View the main page for this artwork. M. 1 Bildn. Anselm Kiefer Domenica in ramis … Graham Sutherland - The Tate Gallery 1982 - 1982 Poster Beautiful powerful poster of a top artist. Sketches of a yacht and the outside of a building, Sketchbook 1. 192. Study of the head and foreparts of a ram, Sketchbook 1. Register | Sign in | Contact | Order 0. Abergavenny and the rugged mountains of the Brecon Beacons became Sutherland's new point of reference and inspirational landscape. Text by Ronald Alley." Sign in. Graham Sutherland, Tate Gallery, May-July 1982 (113, repr.) Two studies of the head of a ram, Sketchbook 1. 184 S. Farb. Feb 5, 2013 - Graham Sutherland http://www.tate.org.uk/art/artists/graham-sutherland-om-2014 Graham Sutherland . Magistrat der Stadt Darmstadt, Tate Gallery London 1982 | Krimmel, Bernd (Red.) (London 1982). Lord Goodman, Sutherland, Graham, OM, 1973-4, Oil paint on canvas. See available works on paper, prints and multiples, and paintings for sale and learn about the artist. Contact. See the photos. 22 x 36 in. Two sketches of the head of a ram. Lot Essay . London, Tate Gallery, Graham Sutherland, May - July 1982, no. Somerset Maugham, Sutherland, Graham, OM, 1949, Oil paint on canvas. Sir Hugh Walpole, by whom purchased at the 1940 exhibition. | Tate Images. Signed in the print in the image. TATE IMAGES. Aug 29, 2012 - Artwork page for ‘Standing Forms II’, Graham Sutherland OM, 1952 These forms probably derived from plant roots or other vegetable matter. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. Später wurde er als Porträt-Maler bekannt. Februar 1980 in London. The present work has remained in the same family since it was purchased by Sir Colin and Lady Anderson on the advice of Rex Nan Kivell in 1945. Special Notice. London, Crane Kalman Gallery, Graham Sutherland, April - June 1999, no. London, Tate Gallery, Graham Sutherland, May - July 1982, no. Graham Sutherland was a British painter best known for his Surrealist abstractions of landscapes and figures. Presented by the artist 1970. oil on canvas The surrounding landscape of which would become particularly influential on Sutherland’s work in the late 1950s and 1960s. Yesterday we were spell-bound at sunset by the effect of the sun coming through holes in the clouds and making orange red patches on the blue-back mountains' (G. Sutherland, quoted in ibid., p. 95). Jun 6, 2014 - Artwork page for ‘Lord Goodman’, Graham Sutherland OM, 1973–4 At his death, Arnold Goodman was described as 'for many years... Britain's most distinguished citizen outside government'. Some little creases. At the age of 30, Sir Colin’s friend, Kenneth Clark, had become Director of the National Gallery, London, however, with the advent of war and the transfer of the Galleries collection to the slate mines of Blaenau Ffestiniog, Clark was recruited into the Ministry of Information where he was to set up the War Artists’ Advisory Committee. View Graham Sutherland’s 2,791 artworks on artnet. Due to current working restrictions it may take a little longer to answer all enquires so please bear with us. in col. p.197) Loan to The Graham Sutherland Gallery, Picton Catle, Haverfordwest, May-Oct. 1984 Forty Years of Modern Art, Tate Gallery, London, Feb.-April 1986 (no … ill. Okt. We use cookies to enhance your experience on our website. Special Notice. Nov 20, 2017 - A large catalogue produced to coincide with the major exhibition of Graham Sutherland's work at the Tate Gallery, London in 1982. Inscribed '1937' in large characters. Not disturbing. Lot Essay . (1903-1980) Painted in 1940, it not only anticipates his work as a war artist depicting the molten steel works of Cardiff and the tin mines of Cornwall but exudes a feeling of disquiet and impending violence. Graham Sutherland stirbt am 17. Origin: a collector. In Road and Quarry Sutherland has managed to combine the intricate romanticism of William Blake with the untamed timeless landscape of Wales to create a dark and deeply powerful symbol of the impending destruction on the eve of war. Abb. Jump to navigation Jump to search. Fan account of Graham Sutherland, an English artist who is notable for his work in glass, fabrics, prints and portraits. Graham Sutherland OM 1903-1980. Front cover. Study of a swan in flight and drawing of a vertical form with a pointed top, Sketchbook 1. Sketchy indications of a hilly Welsh landscape, Sketchbook 2. Sketchbook 2. Graham Sutherland OM Crucifixion 1946 Oil on board support: 908 x 1016 mm frame: 1168 x 1472 x 83 mm Purchased 1947© Tate. The finished portrait was rejected by Churchill and... English painter Graham Sutherland in his studio, 1955. Oporto, Museu Nacional de Soares dos Reis, Sketchbook 1. Road and Quarry London, Tate Gallery, Graham Sutherland, May - July 1982, no. Update account. Not disturbing. Three studies for a landscape composition. Road and Quarry was painted soon after this visit to mid-Wales. August 1903 in Streatham, London; 17. 290: this exhibition travelled to Darmstadt, Ausstellungshallen Mathildenhöhe, August - September 1982. Illustrated throughout with a foreword by director Alan Bowness. They represent Sutherland’s fascination with the tension between opposites: beauty and ugliness, friendliness and menace. He creates metaphors for the world around him as he looks to distil and then express his emotions towards the contemporary world through the rendering of the ancient Welsh landscape. Sketch of the Regatta at Solva and studies of a male running figure, Sketchbook 1. Graham Sutherland (1903–1980) brought together the tradition of English landscape and recent innovations in Parisian modernism, particularly in the art of Picasso. Beautiful powerful poster of a top artist. Glossary. Graham Sutherland, Mathildenhöhe, Darmstadt, Aug.-Sept. 1982 (159, repr. An intaglio process whereby lines are cut into a metal or wood plate using an engraving tool (a burin), which is pushed in front of the hand to achieve a sharp controlled incision capable of great delicacy. Origin: a collector. We use cookies to enhance your experience on our website. 144: this exhibition travelled to Darmstadt, Mathildenhöhe, August - September, no. This catalogue is in excellent out of print condition. Wichtige Ausstellungen, die den internationalen Rang des Malers dokumentieren, sind die Teilnahmen an den "documenta"-Ausstellungen 1955, 1959 und 1964 sowie Retrospektiven in der Tate Gallery in London im Jahr 1982, in Frankreich 1998, und in der Dulwich Picture Gallery in London im Jahr 2005. Do you remember the rocks in Blake’s 'Newton’ drawing? This is such a lot. The whole setting is one of exuberance – of darkness and light – of decay and life. Licensing images through us supports Tate. Orders. | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Although always destined to enter the family business Sir Colin’s love of art began as an undergraduate at Oxford. 4°. As a lawyer, his work on high-profile libel cases drew him into the affairs of state. and ‘Graham Sutherland’ b.r. (55.8 x 91.4 cm.). Sutherland himself wrote to Sir Colin Anderson about his experiences in Wales, saying that, 'I wish I could give you some idea of the exultant strangeness of this place – for strange it certainly is, many people whom I know hate it, and I cannot but admit that it possesses an element of disquiet. ', Horizon, April 1942). At the Tate Gallery the British artist Graham Sutherland works on a mural for the Festival of Britain. This lot is offered by Christie’s Inc. | Tate Images. A landscape with craggy rocks and what seem to be two trees, Sketchbook 1. Rarely have I been so conscious of the contrasting of these elements in so small a compass' (G. Sutherland, 'Letter to C.A. File; File history; File usage; Metadata; Size of this preview: 800 × 451 pixels. "The catalogue for a major retrospective exhibition of the work of Graham Sutherland, covering all periods of his career from his early etchings to the work he made as an official war artist to his portraits. Due to current working restrictions it may take a little longer to answer all enquires so please bear with us. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Graham Vivian Sutherland (24. august 1903 London – 17. veebruar 1980) oli inglise maalikunstnik, graafik ja disainer.. Olnud õppinud Londoni Goldsmiths’ College’is graafilist kunsti, moodustavad Sutherlandi kunstnikukarjääri esimeste aastate loomingu graveerimis- ja söövitustehnikates valmistatud maastikustseenid. Read our. PROPERTY FROM THE COLLECTION OF THE LATE SIR COLIN AND LADY ANDERSON, Graham Sutherland, O.M. Feb 13, 2014 - Graham Sutherland (1903-1980) : Somerset Maugham, 1949. p.134) Literature: Michael Rothenstein, Looking at Paintings, London 1947, p.36, repr. On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Tate, London. Signed in the print in the image. signed and dated 'Sutherland 1940' (lower right) Register. Engraving. They have been redefined by the artist to suggest human presences. File:Devastation, 1941, An East End Street by Graham Sutherland (Tate N05736).jpg. Graham Sutherland. - Ausstellungskatalog der Tate Gallery. Devastation, 1940: A House on the Welsh Border, Devastation, 1941: East End, Wrecked Public House, Devastation, 1941: East End, Burnt Paper Warehouse, A Foundry: Hot Metal has been Poured into a Mould and Inflammable Gas is Rising, Working Drawing for 'Origins of the Land', Exhibition catalogue from The Lefevre Gallery, February 1946, Letter from Graham Sutherland to Kenneth Clark, Exhibition catalogue for 'Exhibition of works by Sutherland, Wadsworth, Adams, Armitage, Butler, Chadwick, Clarke, Meadows, Moore, Paolozzi, Turnbull', The British Pavilion, XXVI Biennale, Venice. graham-sutherland. English painter Graham Sutherland with his unfinished portrait of Winston Churchill, 1954. VAT rate of 5% is payable on hammer price plus buyer's premium. File:Devastation, 1940 AHouse on the Welsh Border by Graham Sutherland (Tate N05734).jpg From Wikipedia, the free encyclopedia Jump to navigation Jump to search P02066 Pecken Wood 1925. | Tate Images. Sounds perfect Wahhhh, I don’t wanna. 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